{"id":4677,"date":"2019-09-17T13:46:11","date_gmt":"2019-09-17T12:46:11","guid":{"rendered":"http:\/\/lalorrainedesecrivains.univ-lorraine.fr\/?page_id=4677"},"modified":"2019-09-17T18:52:13","modified_gmt":"2019-09-17T17:52:13","slug":"actualites-5","status":"publish","type":"page","link":"http:\/\/lalorrainedesecrivains.univ-lorraine.fr\/en\/actualites-5\/","title":{"rendered":"News"},"content":{"rendered":"

[vc_row full_width=”stretch_row” parallax=”content-moving” parallax_image=”1728″ css=”.vc_custom_1492075568880{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column][vc_empty_space height=”150px”][vc_custom_heading text=”News” font_container=”tag:h2|font_size:64|text_align:center|color:%23ffffff” google_fonts=”font_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:700%20bold%20regular%3A700%3Anormal”][\/vc_column][\/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner][vc_single_image image=”4282″ img_size=”full” onclick=”custom_link” img_link_target=”_blank” link=”https:\/\/www.ipw.lu\/__trashed-2\/#.WecAAK3BLm0″][vc_separator style=”shadow” border_width=”2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner][vc_single_image image=”4280″ img_size=”full” onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/www.quebecentouteslettres.qc.ca\/evenement\/laboratoire-hors-les-murs-rencontre-avec-carole-bisenius-penin\/”][vc_separator style=”shadow” border_width=”2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner][vc_single_image image=”4217″ img_size=”full”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”Colloque international” font_container=”tag:h1|text_align:center|color:%23de684c”][\/vc_column][\/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”3980″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]\"Jeudi-30-novembre-2017\"<\/strong><\/p>\n

9h-9h30 : Ouverture<\/strong><\/h3>\n

Christian Schulz et Malte Helfer,<\/strong> Universit\u00e9 de Luxembourg<\/p>\n

Jacques Walter<\/strong>, Directeur du Crem, Universit\u00e9 de Lorraine
\nCarole Bisenius-Penin<\/strong>, Ma\u00eetre de conf\u00e9rences, Crem, Universit\u00e9 de Lorraine<\/p>\n

>\u00a09h30-10h30 : Conf\u00e9rence inaugurale : Michel Lussault, ENS Lyon<\/strong><\/p>\n

L\u2019imagination g\u00e9ographique du monde contemporain<\/span><\/em><\/h3>\n

Pause<\/b><\/h4>\n

>\u00a0<\/strong>11h-12h \/\/ Pr\u00e9sident de s\u00e9ance : Jacques Walter, Universit\u00e9 de Lorraine<\/b><\/span><\/p>\n

11h-11h30 : Thibaut Raboin,<\/strong> University College London
\nR\u00e9imaginer la Lorraine d\u00e9sindustrialis\u00e9e<\/em> : les psycho-g\u00e9ographies de la Lorraine
\nchez Fran\u00e7ois Bon, Gilles Ortlieb et Denis Robert<\/p>\n

11h30-12h : Marie Joqueviel-Bourjea<\/strong>, Universit\u00e9 Paul-Val\u00e9ry Montpellier
\n” Fissures, failles, fragments<\/em> “. Philippe Claudel, Quartier <\/i>: une po\u00e9tique des ” espaces brefs ”<\/p>\n

D\u00e9jeuner<\/b><\/h4>\n

>\u00a0<\/strong>14h-16h \/\/ Pr\u00e9sidente de s\u00e9ance : Carole Bisenius-Penin, Universit\u00e9 de Lorrain<\/b><\/span><\/p>\n

>\u00a0<\/b>14h-14h30 : Adeline Clerc-Florimond<\/strong>, Universit\u00e9 de Lorraine
\nLes prix litt\u00e9raires lorrains et leur rayonnement \u00e0 l\u2019\u00e9chelle r\u00e9gionale<\/p>\n

>\u00a0<\/b>14h30-15h : Catherine Angevelle,<\/strong> Universit\u00e9 de Lorraine
\nVisibilit\u00e9 litt\u00e9raire et biblioth\u00e8que personnelle de Georges P\u00e9rin<\/p>\n

Pause<\/b><\/h4>\n

15h30-17h \/\/ Table ronde : Pour une mise en r\u00e9cit sensible et cr\u00e9ative du territoire
\n<\/b>– Marie-H\u00e9l\u00e8ne Caroff, <\/b>responsable de l\u2019association Caranusca et Olivier Dautrey artiste associ\u00e9\u00a0au projet \u00ab Passerelles d\u2019Europe \u00bb (R\u00e9sidence fluviale transfrontali\u00e8re)<\/p>\n

– Thomas Baumgartner,<\/strong> journaliste, producteur d\u2019\u00e9missions de radio
\n(France Culture, France Inter\u2026) et concepteur de l\u2019application \u00ab Sur les Bancs \u00bb<\/p>\n

– Marie-\u00c8ve S\u00e9vigny<\/strong>, \u00e9crivaine et directrice de la Promenade des \u00e9crivains de Qu\u00e9bec<\/p>\n

19h-20h : Rencontre avec l\u2019\u00e9crivain Jean Rouaud en partenariat avec l\u2019Institut culturel
\n<\/strong><\/span>europ\u00e9en Pierre Werner \u00e0 la Biblioth\u00e8que nationale de Luxembourg<\/strong><\/span><\/p>\n

20h30 : Repas de gala Caf\u00e9 Bovary, Luxembourg<\/strong><\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”3980″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]\"Jeudi-30-novembre-2017\"<\/strong><\/p>\n

9h-9h30 : Ouverture<\/strong><\/h3>\n

Christian Schulz et Malte Helfer,<\/strong> Universit\u00e9 de Luxembourg<\/p>\n

Jacques Walter<\/strong>, Directeur du Crem, Universit\u00e9 de Lorraine
\nCarole Bisenius-Penin<\/strong>, Ma\u00eetre de conf\u00e9rences, Crem, Universit\u00e9 de Lorraine<\/p>\n

>\u00a09h30-10h30 : Conf\u00e9rence inaugurale : Michel Lussault, ENS Lyon<\/strong><\/p>\n

L\u2019imagination g\u00e9ographique du monde contemporain<\/span><\/em><\/h3>\n

Pause<\/b><\/h4>\n

>\u00a0<\/strong>11h-12h \/\/ Pr\u00e9sident de s\u00e9ance : Jacques Walter, Universit\u00e9 de Lorraine<\/b><\/span><\/p>\n

11h-11h30 : Thibaut Raboin,<\/strong> University College London
\nR\u00e9imaginer la Lorraine d\u00e9sindustrialis\u00e9e<\/em> : les psycho-g\u00e9ographies de la Lorraine
\nchez Fran\u00e7ois Bon, Gilles Ortlieb et Denis Robert<\/p>\n

11h30-12h : Marie Joqueviel-Bourjea<\/strong>, Universit\u00e9 Paul-Val\u00e9ry Montpellier
\n” Fissures, failles, fragments<\/em> “. Philippe Claudel, Quartier <\/i>: une po\u00e9tique des ” espaces brefs ”<\/p>\n

D\u00e9jeuner<\/b><\/h4>\n

>\u00a0<\/strong>14h-16h \/\/ Pr\u00e9sidente de s\u00e9ance : Carole Bisenius-Penin, Universit\u00e9 de Lorrain<\/b><\/span><\/p>\n

>\u00a0<\/b>14h-14h30 : Adeline Clerc-Florimond<\/strong>, Universit\u00e9 de Lorraine
\nLes prix litt\u00e9raires lorrains et leur rayonnement \u00e0 l\u2019\u00e9chelle r\u00e9gionale<\/p>\n

>\u00a0<\/b>14h30-15h : Catherine Angevelle,<\/strong> Universit\u00e9 de Lorraine
\nVisibilit\u00e9 litt\u00e9raire et biblioth\u00e8que personnelle de Georges P\u00e9rin<\/p>\n

Pause<\/b><\/h4>\n

15h30-17h \/\/ Table ronde : Pour une mise en r\u00e9cit sensible et cr\u00e9ative du territoire
\n<\/b>– Marie-H\u00e9l\u00e8ne Caroff, <\/b>responsable de l\u2019association Caranusca et Olivier Dautrey artiste associ\u00e9\u00a0au projet \u00ab Passerelles d\u2019Europe \u00bb (R\u00e9sidence fluviale transfrontali\u00e8re)<\/p>\n

– Thomas Baumgartner,<\/strong> journaliste, producteur d\u2019\u00e9missions de radio
\n(France Culture, France Inter\u2026) et concepteur de l\u2019application \u00ab Sur les Bancs \u00bb<\/p>\n

– Marie-\u00c8ve S\u00e9vigny<\/strong>, \u00e9crivaine et directrice de la Promenade des \u00e9crivains de Qu\u00e9bec<\/p>\n

19h-20h : Rencontre avec l\u2019\u00e9crivain Jean Rouaud en partenariat avec l\u2019Institut culturel
\n<\/strong><\/span>europ\u00e9en Pierre Werner \u00e0 la Biblioth\u00e8que nationale de Luxembourg<\/strong><\/span><\/p>\n

20h30 : Repas de gala Caf\u00e9 Bovary, Luxembourg<\/strong><\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1507125379030{background-image: url(http:\/\/lalorrainedesecrivains.univ-lorraine.fr\/wp-content\/uploads\/2016\/05\/paysage-colloque-2.jpg?id=3996) !important;}”][vc_column][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n

\"Vendredi-1er-d\u00e9cembre-2017\"<\/strong><\/h3>\n

> 9h30-12h \/\/ Pr\u00e9sident de s\u00e9ance : Malte Helfer, Universit\u00e9 du Luxembourg<\/b><\/p>\n

> 9h30-10h :<\/strong> Marie-\u00c8ve S\u00e9vigny<\/b>, Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al
\nD\u00e9ployer l\u2019imaginaire dans une capitale historique<\/em> : promenades litt\u00e9raires \u00e0 Qu\u00e9bec<\/p>\n

> 10h-10h30 : Patrick Gormally<\/strong>, Universit\u00e9 d\u2019Irlande
\nAnnonce de lieu et de non-lieu<\/p>\n

Pause<\/b><\/h4>\n

11h-11h30 :<\/strong> Audrey Alv\u00e8s<\/b>, Universit\u00e9 de Lorraine
\n\u00c9crivains lorrains en territoire journalistique<\/em><\/p>\n

> 11h30-12h :<\/strong> Christabel Marrama et Nathalie Roelens, <\/b>Universit\u00e9 du Luxembourg
\n\u00c9thique de la ville. Entre villes c\u00f4ti\u00e8res et villes forteresses : un paradigme paradoxal<\/p>\n

D\u00e9jeuner<\/b><\/h4>\n

>\u00a0<\/strong><\/b>14h-17h \/\/ Pr\u00e9sidente de s\u00e9ance : Audrey Alv\u00e8s, Universit\u00e9 de Lorraine<\/b><\/span><\/p>\n

> 14h-14h30 : <\/strong>Clara L\u00e9vy<\/b>, Universit\u00e9 Paris 8
\nLe Paris de Modiano<\/p>\n

>\u00a0<\/b>14h30-15h :\u00a0<\/strong>Lydie Moudileno<\/b>, Universit\u00e9 de Pennsylvanie
\nLa Lorraine des \u00e9crivains africains<\/em><\/p>\n

Pause<\/b><\/h4>\n

15h30-16h :\u00a0<\/b>Fran\u00e7oise Alexandre,<\/b> Universit\u00e9 de Lorraine
\nLes thrillers historiques<\/em> d\u2019Anne Villemin Sicherman : le territoire dans la fiction<\/p>\n

16h30-17h :<\/strong> Rosa Catal\u00e0 Marticella<\/b>, Universit\u00e9 de Barcelone
\nLe langage et le paysage porteurs d\u2019une m\u00e9moire partag\u00e9e et refl\u00e9t\u00e9e dans la litt\u00e9rature<\/em>
\nL\u2019exemple de l\u2019\u00e9crivain Josep Pla[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”3991″ img_size=”full”][vc_custom_heading text=”Contact : crem-contact@univ-lorraine.fr”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”Appel \u00e0 communication” font_container=”tag:h2|font_size:36|text_align:center” google_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:500%20bold%20regular%3A500%3Anormal”][vc_row_inner][vc_column_inner][vc_column_text]<\/p>\n

Colloque international<\/strong><\/span><\/h1>\n

\u00a0<\/strong>Lieux, g\u00e9o-litt\u00e9rature et <\/strong>m\u00e9diations <\/strong>:<\/strong>La Lorraine des \u00e9crivains\u00a0dans l\u2019espace francophone <\/strong><\/span><\/p>\n

\u00a0<\/strong><\/span>30 novembre-1 d\u00e9cembre 2017<\/span><\/p>\n

Universit\u00e9 de Luxembourg \u2013 Belval<\/span><\/p>\n

Responsable : Carole Bisenius-Penin<\/span><\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text]Apr\u00e8s les 1\u00e8res<\/sup> journ\u00e9es d\u2019\u00e9tude internationales organis\u00e9es par le Centre de recherche sur les m\u00e9diations (CREM) en d\u00e9cembre 2016, le programme scientifique \u00ab\u00a0La Lorraine des \u00e9crivains\u00a0\u00bb <\/strong>s\u2019ach\u00e8ve par un colloque international sur le campus de Belval au Luxembourg. Ce projet rel\u00e8ve \u00e9galement d\u2019une coop\u00e9ration transfrontali\u00e8re, puisqu\u2019un partenariat a \u00e9t\u00e9 mis en place entre l\u2019Universit\u00e9 de Lorraine (CREM) et l\u2019Universit\u00e9 de Luxembourg (the Institute of Geography and Spatial Planning-IPSE).<\/p>\n

Pour rappel, l\u2019objectif du programme est la mise en r\u00e9seau d\u2019op\u00e9rateurs r\u00e9gionaux sur un territoire sp\u00e9cifique, afin d\u2019assurer une visibilit\u00e9 nationale et transfrontali\u00e8re de la Lorraine sur les activit\u00e9s li\u00e9es au livre, via<\/em> la cr\u00e9ation d\u2019une cartographie litt\u00e9raire du territoire, \u00e0 vocation culturelle et touristique, construite autour de 3 p\u00f4les\u00a0: vie litt\u00e9raire, cr\u00e9ation et patrimoine. Le projet repose notamment sur un volet num\u00e9rique avec la mise en place d\u2019un site web (http:\/\/lalorrainedesecrivains.univ-lorraine.fr<\/a>) proposant un panorama litt\u00e9raire de la Lorraine qui inclut un recensement g\u00e9olocalis\u00e9 (d\u2019auteurs, d\u2019\u0153uvres, de manifestations\u2026) et une approche des activit\u00e9s de m\u00e9diation autour des \u00e9crivains et de la litt\u00e9rature (base de donn\u00e9es, entretiens, enqu\u00eates, articles scientifiques\u2026).<\/p>\n

\u00a0<\/span><\/p>\n

Ceci \u00e9tant, pour l\u2019\u00e9dition 2017, au-del\u00e0 du cas lorrain<\/strong>, \u00e0 partir d\u2019un p\u00e9rim\u00e8tre g\u00e9ographique d\u00e9fini au sein de l\u2019espace francophone, la manifestation permettra de r\u00e9pondre \u00e0 plusieurs questions\u00a0: quelles sont les m\u00e9diations possibles entre litt\u00e9rature et territoire en fonction \u00e0 la fois des cr\u00e9ateurs, des m\u00e9diateurs (politiques en charge de la culture, directeurs d\u2019\u00e9tablissements culturels, organismes de soutien \u00e0 la cr\u00e9ation\u2026) et des publics ? Comment la cr\u00e9ation, tout comme le patrimoine litt\u00e9raire, permettent de repenser et de dynamiser le territoire ? En somme, la litt\u00e9rature, sous ses diff\u00e9rentes formes, \u00e0 travers des lieux, des dispositifs, des acteurs, peut-elle constituer un vecteur de d\u00e9veloppement\u00a0?<\/p>\n

Ce colloque privil\u00e9giera donc la probl\u00e9matique de la construction des liens entre territoire, espace, litt\u00e9rature et m\u00e9diations autour de trois axes\u00a0:[\/vc_column_text][vc_single_image image=”3774″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_column_text]<\/p>\n

1) <\/strong>Lieux, espaces et litt\u00e9rature<\/strong><\/h3>\n

Du paysage (Besse, 2000) \u00e0 la ville (L\u00e9vy, 2006\u00a0; Gr\u00e9sillon, 2008), \u00e0 la \u00ab\u00a0topophilie\u00a0\u00bb (Tuan, 1974), \u00e0 l\u2019atlas (Moretti, 2000), au d\u00e9paysement (Bailly, 2011), \u00e0 la promenade (Montandon, 2000) ou encore aux hyper-lieux (Lussault M., 2016), il s\u2019agira d\u2019examiner comment \u00ab\u00a0l\u2019espace v\u00e9cu\u00a0\u00bb, imagin\u00e9 par le biais de la litt\u00e9rature et de ses m\u00e9diations permet de d\u00e9chiffrer le sens des lieux et constitue des modes d\u2019acc\u00e8s au monde.<\/p>\n

2) L\u2019<\/strong>attractivit\u00e9 territoriale et touristique de la litt\u00e9rature<\/strong><\/h3>\n

L\u2019objectif est de s\u2019interroger sur la fa\u00e7on dont la litt\u00e9rature et la vie litt\u00e9raire, \u00e0 travers leurs aspects mat\u00e9riels (les \u0153uvres, les maisons d\u2019\u00e9crivains, les festivals, les prix\u2026) et immat\u00e9riels (les paysages litt\u00e9raires, l\u2019imaginaire des lieux\u2026) peut constituer une ressource sp\u00e9cifique (Gumuchian et Pecqueur, 2007), permettant de saisir les relations qui se nouent entre cr\u00e9ation et territoires (Fournier, 2016).<\/p>\n

3) <\/strong>De la m\u00e9diation \u00e0 la m\u00e9diatisation (\u00e9crivains, institutions, publics)<\/strong><\/h3>\n

Enfin, il sera int\u00e9ressant de proposer des analyses sur la question de la visibilit\u00e9 (Heinich, 2012) des auteurs sur le territoire, en examinant notamment les multiples formes d\u2019intervention, de pr\u00e9sence, des \u00e9crivains (r\u00e9sidence d\u2019auteurs, performance, ateliers d\u2019\u00e9criture\u2026) sur la sc\u00e8ne m\u00e9diatique (Meizoz, 2016). Dans cette perspective, l\u2019enjeu portera aussi sur la mani\u00e8re dont les diff\u00e9rents acteurs et publics (professionnels du livre, \u00e9lus, habitants, touristes, journalistes, associations\u2026) s\u2019approprient la litt\u00e9rature\u00a0hors du livre (Ruffel, 2010).<\/p>\n

Modalit\u00e9s<\/strong><\/h3>\n

Le colloque se d\u00e9roulera le 30 novembre et 1 d\u00e9cembre 2017 <\/strong>\u00e0 l’Universit\u00e9 de Luxembourg, Campus Belval (Maison des Sciences Humaines).
\nLa langue de travail sera le fran\u00e7ais.
\nChaque participant disposera de 20 minutes pour sa pr\u00e9sentation.<\/p>\n

La proposition de communication (environ 5000 signes),\u00a0au format Word ou PDF, ainsi qu\u2019une br\u00e8ve notice bio-bibliographique (profession, domaine de recherche, institution, publications) est \u00e0 faire parvenir \u00e0 l’adresse suivante :<\/p>\n

carole.bisenius-penin@univ-lorraine.fr<\/a><\/p>\n

Calendrier
\n<\/strong><\/h3>\n

R\u00e9ception des propositions (r\u00e9sum\u00e9s) : 31 mai 2017
\nR\u00e9ponses aux auteurs : 15 juin 2017
\nR\u00e9ception des textes : 1er septembre 2017
\n30 000 \u00e0 50 000 signes espaces non compris + r\u00e9sum\u00e9 en 10 lignes \u00a0<\/strong>fran\u00e7ais et anglais + 6-7 mots cl\u00e9s dans les 2 langues)<\/strong><\/p>\n

Publication des actes : d\u00e9cembre 2017[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_column_text]<\/p>\n

Comit\u00e9 scientifique<\/strong> :<\/h3>\n

Rachel Bouvet (Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al, Canada)
\nMarc Brosseau (Universit\u00e9 d\u2019Ottawa, Canada)
\nMauricette Fournier (Universit\u00e9 Clermont Auvergne, France)
\nMalte Helfer (Universit\u00e9 de Luxembourg, Luxembourg)
\nBernard Lahire (ENS Lyon, France)
\nBertrand L\u00e9vy (Universit\u00e9 de Gen\u00e8ve, Suisse)
\nJ\u00e9r\u00f4me Meizoz (Universit\u00e9 de Lausanne, Suisse)
\nChristian Schulz (Universit\u00e9 de Luxembourg, Luxembourg)
\nAlain Viala (University of Oxford, Royaume Uni)
\nJacques Walter (Universit\u00e9 de Lorraine, France)
\nBertrand Westphal (Universit\u00e9 de Limoges, France)<\/p>\n

R\u00e9f\u00e9rences bibliographiques <\/strong><\/p>\n

Bailly, J.C, 2011 Le D\u00e9paysement, voyages en France<\/em>, Paris, \u00c9ditions du Seuil.
\nBesse, J.-M.\u00a02000, Voir la Terre<\/em>. Six essais sur le paysage et la g\u00e9ographie<\/em>, Arles, Actes Sud.
\nBrosseau M., Cambron M., 2003, \u00ab Entre g\u00e9ographie et litt\u00e9rature : fronti\u00e8res et perspectives dialogiques \u00bb, Recherches sociographiques<\/em>, vol. 44, n\u00b0 3, p. 525-547.
\nClaval P., 2003, G\u00e9ographie culturelle. Une nouvelle approche des soci\u00e9t\u00e9s et des milieux<\/em>, Paris, Armand Colin.
\nCook I., Crouch D., Naylor S., Ryan J.R. (dir.), 2000, Cultural Turns\/Geographical Turns: Perspectives on Cultural Geography<\/em>, Harlow, Prentice Hall.
\nDupuy L., Puyo J.-Y, 2015, De l\u2019imaginaire g\u00e9ographique aux g\u00e9ographies de l\u2019imaginaire. \u00c9critures de l\u2019espace<\/em>, Presses de l\u2019Universit\u00e9 de Pau et des pays de l\u2019Adour : coll. Spatialit\u00e9s.
\nFournier, M., 2016, D\u00e9veloppement culturel et Innovation territoriale<\/em>, Clermont-Ferrand, France. [actes num\u00e9riques], 2017, <http:\/\/iadt.fr\/ressources\/developpement-culturel-et-innovation-territoriale.html><\/a>. <halshs-01487348>
\n<\/a>Gumuchian H., Pecqueur B., 2007, La ressource territoriale,<\/em>Paris, Economica, Anthropos.
\nGr\u00e9sillon, B., 2008, \u00abVille et cr\u00e9ation artistique : pour une autre g\u00e9ographie culturelle\u00bb, Annales de G\u00e9ographie (Les)<\/em>, n\u00b0 mai-ao\u00fbt, Armand Colin, Paris, p. 179-198.
\nHeinich N., 2012, De la visibilit\u00e9. Excellence et singularit\u00e9 en r\u00e9gime m\u00e9diatique<\/em>, Paris, Gallimard.
\nL\u00e9vy, B., \u00ab Gen\u00e8ve, ville litt\u00e9raire : de la topophobie \u00e0 la topophilie \u00bb, Revue des sciences humaines (RSH)<\/em>, Paris, 284, oct.-d\u00e9c. 2006, p. 135-149.
\nLussault M., 2016, Hyper-lieux. Les nouvelles g\u00e9ographies de la mondialisation<\/em>, Paris, Seuil.
\nMeizoz J., 2016, La Litt\u00e9rature \u00ab\u00a0en personne\u00a0\u00bb. Sc\u00e8ne m\u00e9diatique et formes d’incarnation<\/em>, Gen\u00e8ve, Editions Slatkine.
\nMontandon, A., 2000. Sociopo\u00e9tique de la promenade<\/em>. Presses Universit\u00e9 Blaise Pascal.
\nMoretti, F., Atlas du roman europ\u00e9en, 1800-1900<\/em>, traduit de l\u2019italien par J\u00e9r\u00f4me Nicolas, Paris, \u00c9ditions du Seuil, 2000.
\nRuffel D.,\u00a02010, \u00ab\u00a0Une litt\u00e9rature contextuelle\u00a0\u00bb,\u00a0Litt\u00e9rature<\/em>,\u00a0n\u00b0160,\u00a0p.\u00a061-73.
\nTissier J.-L. (dir), 2007, \u00ab G\u00e9ographie et litt\u00e9rature\u00bb, in Bulletin de l\u2019Association des G\u00e9ographes<\/em><\/p>\n

fran\u00e7ais<\/em>, vol. 84, n\u00b0 3, p. 243-368.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator css=”.vc_custom_1492075482676{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_custom_heading text=”Call for papers” font_container=”tag:h2|font_size:36|text_align:center” google_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:500%20bold%20regular%3A500%3Anormal” css=”.vc_custom_1492076214483{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_row_inner css=”.vc_custom_1492075471882{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column_inner][vc_column_text]<\/p>\n

International Conference<\/strong><\/h1>\n

Places, geo-literature and mediations :
\nThe Lorraine of writers in the French-speaking world
\n30 November-1 December 2017
\nUniversity of Luxembourg – Belval
\nResponsible: Carole Bisenius-Penin<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1492075502066{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column_inner width=”1\/2″][vc_column_text]After the first international meeting organized by the Centre de recherche sur les m\u00e9diations (CREM) in December 2016, the scientific program “La Lorraine des \u00e9crivains” concludes with an international conference on the Belval campus in Luxembourg. This project relies on a cross-border cooperation, based on a partnership between the University of Lorraine (CREM) and the University of Luxembourg (the Institute of Geography and Spatial Planning).<\/p>\n

The aim of the program is to network regional operators in a specific territory in order to ensure a national and cross-border visibility of Lorraine on book-related activities, through the creation of a literary cartography of the territory, with a cultural and tourist vocation, built around three dimensions: literary life, creation and heritage. The project has a specific digital focus with the creation of a website (http:\/\/lalorrainedesecrivains.univ-lorraine.fr<\/a>) which offers a database, a literary panorama of Lorraine including a geolocalized survey of authors, works and events and covers the various mediations dealing with writers and literature (database, interviews, surveys, scientific articles …).<\/p>\n

The 2017 edition of the conference intends to go beyond the Lorraine region to consider other French-speaking territories. This change in focus offers a different context for several questions: how do creators, mediators (cultural policy officials, cultural institutions, art-supporting organizations), and audiences inform the types of mediation that exist between literature and territory? How can literary creation, or heritage, make it possible to rethink and energize the territory? In short, can literature, in its various forms, through places, devices, actors, constitute a vector of development?<\/p>\n

This conference will therefore focus on the articulation of territory, space, literature and mediation. Three main themes are proposed :[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]<\/p>\n

1) Places, spaces and literature<\/strong><\/h3>\n

From the landscape (Besse, 2000) to the city (Levy, 2006, Gr\u00e9sillon, 2008), to “topophilia” (Tuan, 1974), the atlas (Moretti, 2000), the promenade (Montandon, 2000) or hyper-places (Lussault M., 2016), it will be necessary to examine how the \u201cinhabited space”, imagined through literature and its mediations, allows us to decipher a meaning of a place and offers forms of access to the world.<\/p>\n

2) The territorial and touristic attractiveness of literature<\/strong><\/h3>\n

Do literature and literary life constitute a specific resource (Gumuchian and Pecqueur, 2007) to understand the relations between creation and territories (Fournier, 2016). Both their material (works, writers\u2019 houses, festivals, awards\u2026) and immaterial (literary landscapes, places and their representations) dimensions will be considered here.<\/p>\n

3) From mediation to mediatization (writers, institutions, audiences)<\/strong><\/h3>\n

Lastly, it will be interesting to investigate the visibility (Heinich, 2012) of authors on a territory, through the multiple forms of intervention, and presence of thewriters (authors residence, performance, writing workshops…) in the medias (Meizoz, 2016). In this perspective, can also be considered the ways different actors and audiences (book professionals, elected officials, residents, tourists, journalists, associations, etc.) take literature out of the book (Ruffel, 2010).<\/p>\n

Organization and guidelines<\/strong><\/h3>\n

The conference will take place on 30 November and 1 December 2017 at the University of Luxembourg, on the Belval Campus.
\nThe working language will be French.
\nEach participant will have 20 minutes to present.
\nThe proposals (approximately 5000 characters), in Word or PDF format, as well as a brief bio-bibliographical notice (profession, research field, institution, publications) should be sent to the following address:<\/p>\n

carole.bisenius-penin@univ-lorraine.fr<\/a><\/p>\n

 <\/p>\n

Schedule<\/strong><\/h3>\n

Deadline for the reception of proposals (abstracts): 31 May 2017
\nDeadline for confirmation of acceptance or rejection: 15 June 2017
\nDeadline for the reception of texts: 1 September 2017
\n(30 000 to 50 000 signs spaces not included + abstract in 10 lines, French and English<\/strong>
\n+ 6-7 keywords in both languages)<\/strong><\/p>\n

Publication: December 2017[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator css=”.vc_custom_1492075482676{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_row_inner][vc_column_inner][vc_single_image image=”3739″ img_size=”full” alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/www.zincgrenadine.fr\/programme.html”][vc_column_text]<\/p>\n

Laiss<\/span>ez-vo<\/span>us\u00a0<\/span>emb<\/span>arquer p<\/span>our<\/span>\u00a0la 1<\/span>6 \u00e8me\u00a0<\/span>\u00e9dit<\/span>ion !<\/a><\/h2>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1485179218337{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column width=”2\/3″ css=”.vc_custom_1488982384367{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1488982120734{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n

\u00a0Appel \u00e0 proposition d\u2019articles\u00a0<\/b><\/h2>\n

pour un num\u00e9ro th\u00e9matique de la revue\u00a0<\/b><\/h2>\n

\u00a0Culture & Mus\u00e9es\u00a0<\/i><\/b><\/h1>\n


\nSous la direction de Carole Bisenius-Penin<\/b><\/h4>\n

Les r\u00e9sidences d\u2019\u00e9crivains et d\u2019artistes :\u00a0<\/b>des dispositifs de cr\u00e9ation et de m\u00e9diation<\/b><\/p>\n

Les r\u00e9sidences de cr\u00e9ateurs portent de multiples d\u00e9nominations : r\u00e9sidence de cr\u00e9ation et d\u2019exp\u00e9rimentation, r\u00e9sidence de diffusion territoriale, r\u00e9sidence-association, r\u00e9sidence-mission, r\u00e9sidence-animation, etc. Quels que soient leurs objectifs, elles sont devenues en quelques ann\u00e9es une des formes privil\u00e9gi\u00e9es de soutien \u00e0 la cr\u00e9ation et \u00e0 l\u2019action culturelle. Outre leur grande plasticit\u00e9, elles visent \u00e0 donner \u00e0 un artiste (chor\u00e9graphe, musicien, plasticien\u2026) ou \u00e0 un \u00e9crivain les conditions techniques et financi\u00e8res pour concevoir, \u00e9crire, achever, produire une oeuvre nouvelle, en menant ou non des actions de m\u00e9diation. Elles posent aussi la question de la place de l\u2019artiste au sein de la soci\u00e9t\u00e9, dans un tournant actuel des politiques culturelles o\u00f9 les moyens affect\u00e9s \u00e0 la culture et \u00e0 la cr\u00e9ation sont diminu\u00e9s, ce qui affecte en priorit\u00e9 les professionnels les plus fragiles en raison de leur statut.<\/p>\n

Ce num\u00e9ro de Culture & Mus\u00e9es <\/i>a pour ambition d\u2019analyser le dispositif \u00ab r\u00e9sidence \u00bb et ses diff\u00e9rentes configurations, qui recouvrent, depuis son institutionnalisation au cours des ann\u00e9es 1980, des formes et des r\u00e9alit\u00e9s extr\u00eamement vari\u00e9es en fonction des projets, des structures et des politiques culturelles mises en place. Il s\u2019agit d\u2019examiner les r\u00e9sidences en tant que dispositif de production d\u2019une oeuvre originale, d\u2019une part, de communication et de m\u00e9diation, d\u2019autre part, permettant des transactions diverses et vari\u00e9es entre \u00e9crivains, artistes, collectivit\u00e9s territoriales, op\u00e9rateurs culturels et publics. Ce dispositif appara\u00eet comme une entit\u00e9 hybride dans la mesure o\u00f9, de plus en plus fr\u00e9quemment, on constate une injonction politique \u00e0 combiner deux dimensions : cr\u00e9ation artistique ou litt\u00e9raire et activit\u00e9s de m\u00e9diation. Faute d\u2019un statut, d\u2019une d\u00e9finition \u00e9tablie, il est de nature polymorphe, marqu\u00e9 par une grande h\u00e9t\u00e9rog\u00e9n\u00e9it\u00e9 (r\u00e9sidence individuelle ou collective, p\u00e9renne ou \u00e9ph\u00e9m\u00e8re, fixe ou itin\u00e9rante, etc.) et une dispersion des offres dans les territoires. En outre, il se construit \u00e0 partir d\u2019une combinatoire de cat\u00e9gories normalis\u00e9es mais fluctuantes et tr\u00e8s diversifi\u00e9es : un lieu, une temporalit\u00e9, une structure d\u2019accueil, des types de financements, un projet de cr\u00e9ation et, enfin, un projet de m\u00e9diation culturelle qui pr\u00e9voit un ensemble d\u2019activit\u00e9s destin\u00e9es aux publics autour de l\u2019artiste ou de l\u2019auteur.<\/p>\n

Quelles sont les formes historiques et actuelles des r\u00e9sidences artistiques ? Quels sont les enjeux de ces dispositifs ? Quelles repr\u00e9sentations de l\u2019\u00e9crivain et de l\u2019artiste sont convoqu\u00e9es ? Les r\u00e9sidences rendent-elles visible le travail de cr\u00e9ation comme processus litt\u00e9raire en permettant aux<\/p>\n

publics d\u2019approcher l\u2019oeuvre comme le produit d\u2019une \u00e9laboration artistique ? Quels sont les enjeux artistiques et culturels du dispositif r\u00e9sidentiel ? En somme, comment la r\u00e9sidence peut-elle favoriser la cr\u00e9ation contemporaine par le biais de dispositifs de m\u00e9diation participatifs au sein d\u2019une relation communicationnelle triangulaire (\u00e9crivain ou artiste, publics, institutions culturelles) ?<\/p>\n

Les propositions d\u2019articles pourront s\u2019articuler autour des questions suivantes :<\/p>\n

Interroger un concept polymorphe\u00a0<\/b><\/p>\n

La r\u00e9sidence appara\u00eet comme un dispositif complexe qui repose sur de nombreux param\u00e8tres et s\u2019\u00e9labore en fonction de divers mod\u00e8les (r\u00e9sidence de cr\u00e9ation, d\u2019animation, \u00e0 projet, etc.). Comment peut-on d\u00e9finir une r\u00e9sidence ? En fonction de quels crit\u00e8res ? Au sein de quelles structures (maisons d\u2019\u00e9crivains, mus\u00e9es, lieux de spectacle vivant, \u00e9tablissements scolaires, entreprises, lieux de vie et de travail, etc.) et en lien avec quels territoires ? Quelles sont les formes d\u2019interactions entre le dispositif r\u00e9sidentiel et l\u2019espace public de la cr\u00e9ation ? Quelles sont les pratiques litt\u00e9raires et les postures des \u00e9crivains et des artistes au sein la r\u00e9sidence ? Quels impacts le dispositif r\u00e9sidentiel peut-il avoir \u00e0 la fois sur la cr\u00e9ation litt\u00e9raire de l\u2019auteur et sur les publics ? Voit-on \u00e9merger de nouvelles formes faisant appel aux technologies et aux environnements num\u00e9riques ?<\/p>\n

Interroger les cat\u00e9gories d\u2019acteurs : \u00e9crivains, artistes, institutions, publics\u00a0<\/b><\/p>\n

En tant que dispositif, proc\u00e9dant d\u2019une demande sociale et politique qui \u00e9mane tr\u00e8s souvent des collectivit\u00e9s territoriales ou de l\u2019institution scolaire, les r\u00e9sidences apparaissent comme des lieux de mise en relation. En effet, le dispositif d\u2019accueil peut mobiliser diff\u00e9rents acteurs de la cha\u00eene du livre, les acteurs culturels et associatifs du territoire concern\u00e9, qui s\u2019envisage \u00e0 la fois sous le prisme des publics et des financements. L\u2019\u00e9crivain, l\u2019artiste n\u2019apparaissent plus comme les seuls b\u00e9n\u00e9ficiaires du dispositif, mais peuvent entrer dans une logique de coproduction symbolique, notamment lorsqu\u2019il y a une commande ou la cr\u00e9ation d\u2019une oeuvre en lien \u00e9troit avec une dimension territoriale. Quels sont les enjeux \u00e0 la fois culturels, territoriaux et politiques des dispositifs r\u00e9sidentiels ?<\/p>\n

Interroger un dispositif de m\u00e9diation\u00a0<\/b><\/p>\n

Li\u00e9e \u00e0 la territorialisation de la culture et \u00e0 la question prioritaire des publics, la m\u00e9diation culturelle (Bordeaux, 2013; Chaumier & Mairesse, 2013 ; Caune, 2000) rel\u00e8ve d\u2019une volont\u00e9 de d\u00e9mocratiser l\u2019acc\u00e8s \u00e0 la culture. Dans le cadre r\u00e9sidentiel, l\u2019objectif est de cr\u00e9er des liens entre l\u2019oeuvre r\u00e9alis\u00e9e et des publics, mais qu\u2019en est-il ? Quelles sont les m\u00e9diations qui se jouent au sein de cet espace, en fonction du jeu des acteurs, en fonction des dispositifs, des processus, des effets suscit\u00e9s ? La m\u00e9diation en tant qu\u2019interface entre l\u2019univers des publics et de l\u2019objet culturel permet-elle de co-construire la figure de l\u2019auteur ou de l\u2019artiste dans le cadre des relations intersubjectives qui se croisent au sein de la r\u00e9sidence ? Quelles formes de m\u00e9diations sont identifiables ? \u00c0 quelles formes de pratiques renvoient-elles et en fonction de quels types d\u2019actions d\u2019accompagnement (lecture publique, conf\u00e9rence, atelier d\u2019\u00e9criture ou de pratique artistique, exposition, cr\u00e9ation in situ <\/i>en tant que dispositif participatif impliquant les publics) ?<\/p>\n

[\/vc_column_text][vc_empty_space][vc_row_inner css=”.vc_custom_1488982456612{background-color: #f2f2f2 !important;}”][vc_column_inner css=”.vc_custom_1488982397704{margin-top: 10px !important;border-top-width: 10px !important;padding-top: 10px !important;background-color: #f2f2f2 !important;}”][vc_column_text]R\u00e9f\u00e9rences\u00a0<\/b><\/p>\n

Amossy, Ruth. 2002. \u00ab Ethos \u00bb, in Le Dictionnaire du litt\u00e9raire<\/i>, \/ sous la direction de Paul Aron, Denis Saint Jacques & Alain Viala. Paris : PUF.\u00a0Bisenius-Penin, Carole (dir.). 2015. R\u00e9sidence d\u2019auteurs, cr\u00e9ation litt\u00e9raire et m\u00e9diations culturelles (1). \u00c0 la recherche d\u2019une cartographie<\/i>. Nancy : PUN – \u00c9ditions Universitaires de Lorraine. Questions de communication. (S\u00e9rie actes).
\nBon, Fran\u00e7ois. 2000. Tous les mots sont adultes : m\u00e9thode pour l\u2019atelier d\u2019\u00e9criture<\/i>. Paris : Fayard.
\nBouchardon, Serge. 2014. La valeur heuristique de la litt\u00e9rature num\u00e9rique<\/i>. Paris : Hermann. (collection Cultures num\u00e9riques).
\nBordeaux Marie-Christine (avec Elisabeth Caillet). 2013. \u00ab La m\u00e9diation culturelle : pratiques et enjeux th\u00e9oriques \u00bb. Culture & Mus\u00e9es <\/i>Hors-s\u00e9rie.
\nCaune, Jean. 2000, \u00ab La M\u00e9diation culturelle : une construction du lien social \u00bb, consultable en ligne http:\/\/w3.u-grenoble3.fr\/les_enjeux\/2000\/Caune\/index.php.
\nChaumier, Serge & Mairesse, Fran\u00e7ois. 2013. La M\u00e9diation culturelle<\/i>. Paris : Armand Colin.
\nDenoit Nicole & Douzou Catherine. 2016. La r\u00e9sidence d\u2019artiste<\/i>. Tours : PUFR.
\nLahire, Bernard. 2006. La Condition litt\u00e9raire, la double vie des \u00e9crivains<\/i>. Paris : \u00c9d. La D\u00e9couverte.
\nMartel, Fr\u00e9d\u00e9ric. 2015. L\u2019\u00e9crivain social, la condition de l\u2019\u00e9crivain \u00e0 l\u2019\u00e2ge num\u00e9rique<\/i>. Rapport au Pr\u00e9sident du CNL, consultable en ligne<\/p>\n

http:\/\/www.centrenationaldulivre.fr\/fichier\/p_ressource\/7429\/ressource_fichier_fr_condition.a.crivain.monde.numa.rique.rapport.2015.11.09.ok.pdf<\/p>\n

Meizoz, J\u00e9r\u00f4me. 2007. Postures litt\u00e9raires. Mises en sc\u00e8ne modernes de l’auteur<\/i>. Gen\u00e8ve : Slatkine.
\nSapiro, Gis\u00e8le. 2007. \u00ab Je n’ai jamais appris \u00e0 \u00e9crire \u00bb. Les conditions de formation de la vocation d’\u00e9crivain\u00bb, Actes de la recherche en sciences sociales <\/i>3, 168, p. 12-33, consultable en ligne www.cairn.info\/revue-actes-de-la-recherche-en-sciences-sociales-2007-3-page-12.htm.
\nViala, <\/i>Alain.1985. Naissance de l’\u00e9crivain<\/i>. Sociologie de la litt\u00e9rature \u00e0 l’\u00e2ge classique<\/i>. Paris : Minuit.<\/p>\n

Merci d\u2019adresser vos propositions d\u2019articles (environ 5000 signes) par courriel avant le 17 mars 2017 \u00e0 Carole Bisenius-Penin (carole.bisenius-penin@univ-lorraine.fr) et Marie-Christine Bordeaux (mc.bordeaux@wanadoo.fr)<\/p>\n

Les r\u00e9sum\u00e9s comporteront un titre, 5 r\u00e9f\u00e9rences bibliographiques ainsi que les noms, adresse \u00e9lectronique, qualit\u00e9 et rattachement institutionnel (Universit\u00e9, laboratoire) de leur auteur.<\/p>\n

Calendrier :\u00a0<\/b><\/p>\n

Lancement de l\u2019appel \u00e0 propositions d\u2019articles : f\u00e9vrier 2017
\nR\u00e9ception des propositions (r\u00e9sum\u00e9s) : 7 avril 2017
\nR\u00e9ponses aux auteurs et commande des textes : d\u00e9but mai 2017
\nR\u00e9ception des textes : 1er septembre 2017
\nR\u00e9ponses d\u00e9finitives aux auteurs et propositions \u00e9ventuelles de modifications : novembre 2017
\nR\u00e9ception des textes dans leur version d\u00e9finitive : d\u00e9but janvier 2018<\/p>\n

Publication : juin 2018[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1485179306519{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_single_image image=”3728″ img_size=”full” onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/www.lcdpu.fr\/livre\/?GCOI=27000100677180&fa=description” css=”.vc_custom_1488981734463{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1488982002609{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n

Contact :\u00a0<\/b><\/p>\n

Carole Bisenius-Penin
\ncarole.bisenius-penin@univ-lorraine.fr
\nUniversit\u00e9 de Lorraine<\/p>\n

CREM
\nIle du Saulcy
\n57000 Metz<\/p>\n

La revue Culture & Mus\u00e9es\u00a0<\/i><\/b><\/p>\n

La revue Culture & Mus\u00e9es <\/i>est une revue scientifique transdisciplinaire \u00e0 comit\u00e9 de lecture. Ses publications sont orient\u00e9es vers des travaux de recherche in\u00e9dits sur les publics, les institutions et les m\u00e9diations de la culture. Depuis 2010, elle poss\u00e8de une dimension internationale car elle est index\u00e9e \u00e0 l’INIST et sur les bases Arts and Humanities Citation Index (Thomson Reuters). Les contributions, regroup\u00e9es autour d\u2019un th\u00e8me, font de chaque livraison un ouvrage collectif charg\u00e9 d\u2019approfondir un th\u00e8me ou une question. La revue est co-\u00e9dit\u00e9e par l\u2019Universit\u00e9 d\u2019Avignon et les \u00e9ditions Actes Sud.<\/p>\n

Directeurs de la r\u00e9daction\u00a0<\/b><\/p>\n

Fr\u00e9d\u00e9ric Gimello-Mesplomb, directeur de publication, Universit\u00e9 d\u2019Avignon et des Pays de Vaucluse
\nEric Triquet, directeur adjoint de publication, Universit\u00e9 d\u2019Avignon et des Pays de Vaucluse
\nYves Winkin, directeur de r\u00e9daction, Mus\u00e9e des arts et m\u00e9tiers, CNAM
\nMarie-Christine Bordeaux, directrice adjointe de r\u00e9daction, Universit\u00e9 Grenoble Alpes<\/p>\n

Comit\u00e9 de r\u00e9daction\u00a0<\/b><\/p>\n

Serge Chaumier, Universit\u00e9 d\u2019Artois
\nJacqueline Eidelman, Direction g\u00e9n\u00e9rale des patrimoines \u2013 D\u00e9partement de la politique des publics, minist\u00e8re de la Culture et de la Communication
\nCatherine Guillou, Direction des publics du Centre Pompidou
\nDaniel Jacobi, Universit\u00e9 d\u2019Avignon et des Pays de Vaucluse
\nEmmanuelle Lallement, Direction g\u00e9n\u00e9rale des patrimoines \u2013 D\u00e9partement de la politique des publics, minist\u00e8re de la Culture et de la Communication
\nJo\u00eblle Le Marec , Universit\u00e9 Paris Diderot
\nJean-Marc Leveratto, Universit\u00e9 de Lorraine
\nFran\u00e7ois Mairesse , Universit\u00e9 Sorbonne Nouvelle-Paris 3
\nAnik Meunier , Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al
\nAnthony Pecqueux, \u00c9cole nationale sup\u00e9rieure d\u2019architecture de Grenoble
\nMarie-Sylvie Poli, Universit\u00e9 d\u2019Avignon et des Pays de Vaucluse
\nDominique Poulot, Universit\u00e9 Paris 1 Panth\u00e9on-Sorbonne
\nVincent Poussou, Direction des publics et du num\u00e9rique de la R\u00e9union des mus\u00e9es nationaux-Grand Palais
\nOlivier Th\u00e9venin, Universit\u00e9 de Haute-Alsace<\/p>\n

Comit\u00e9 scientifique international\u00a0<\/b><\/p>\n

Jos\u00e9 Azevedo, Universit\u00e9 de Porto (Portugal)
\nHoward S. Becker, San Francisco (\u00c9tats-Unis)
\nAndr\u00e9 Desvall\u00e9es, conservateur g\u00e9n\u00e9ral honoraire du patrimoine
\nVera Dodebei, Universit\u00e9 de Rio (Br\u00e9sil)
\nJohn Durant, directeur du Mus\u00e9e Massachusetts Institute of Technology (\u00c9tats-Unis)
\nEmmanuel Ethis, Universit\u00e9 d\u2019Avignon et des Pays de Vaucluse (France)
\nJean-Louis Fabiani, Universit\u00e9 d\u2019Europe Centrale (Hongrie)
\nAndr\u00e9 Gob, Universit\u00e9 de Li\u00e8ge (Belgique)
\nHolger H\u00f6ge, Universit\u00e9 d\u2019Oldenbourg (Allemagne)
\nYves Jeanneret, Universit\u00e9 Paris-Sorbonne (France)
\nRaymond Montpetit, Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al (Canada)
\nXavier Roig\u00e9, Universit\u00e9 de Barcelone (Espagne)
\nAnne-Catherine Robert-Hauglustaine, directrice g\u00e9n\u00e9rale de l\u2019ICOM
\nBernard Schiele, Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al (Canada)
\nPhilippe Verhaegen, Universit\u00e9 de Louvain-la-Neuve (Belgique)
\nFran\u00e7oise Wasserman, Conservateur g\u00e9n\u00e9ral honoraire du patrimoine (France)[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1485179218337{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column width=”2\/3″ css=”.vc_custom_1485179297098{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1485179357739{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n

Questions de communication, s\u00e9rie actes 35 \/ 2016<\/h5>\n

R\u00e9sidence d’auteurs, cr\u00e9ation litt\u00e9raire et m\u00e9diations culturelles (2). Territoires et publics<\/a><\/span><\/h2>\n

\u00c9dit\u00e9 par Carole Bisenius-Penin<\/a>
\n<\/strong>Livre broch\u00e9 – 20,00\u00a0\u20ac<\/p>\n

\u00c0 para\u00eetre Je souhaiterais recevoir une alerte par e-mail pour me pr\u00e9venir de la disponibilit\u00e9 de cet article<\/p>\n

R\u00e9sum\u00e9<\/h5>\n

Les contributions de ce dernier volume de la s\u00e9rie R\u00e9sidence d’auteurs, cr\u00e9ation litt\u00e9raire et m\u00e9diations culturelles permettent de penser le dispositif r\u00e9sidentiel en lien avec les publics et en fonction de territoires sp\u00e9cifiques (France, Allemagne, Belgique, Qu\u00e9bec). D\u2019un point de vue th\u00e9orique et pratique, l\u2019ouvrage examine le concept de r\u00e9sidence en fonction des politiques culturelles, tout en montrant comment ce dispositif, qui manque souvent de visibilit\u00e9, appara\u00eet comme un lieu de construction auctoriale sous de multiples formes (textes, blogs r\u00e9sidentiels). Enfin, la r\u00e9sidence en tant que dispositif immersif en interaction avec les territoires et les publics constitue un moyen original de replacer l\u2019auteur au sein de l\u2019espace publique et de mettre en place une r\u00e9flexion sur spatialit\u00e9, g\u00e9ographie, territoire et cr\u00e9ation litt\u00e9raire contemporaine. D\u00e8s lors, on peut s\u2019interroger: Que gagne l\u2019auteur \u00e0 se confronter \u00e0 la contrainte r\u00e9sidentielle? Comment l\u2019auteur sur un territoire pratique cr\u00e9ation litt\u00e9raire et activit\u00e9s de m\u00e9diations? Quelles formes de m\u00e9diations \u00e9mergent du dispositif r\u00e9sidentiel? Quelles sont les repr\u00e9sentations du public de la notion? L\u2019objectif central est de saisir la r\u00e9sidence d\u2019auteurs \u00e0 travers les relations qui se nouent entre les diff\u00e9rents syst\u00e8mes, c\u2019est-\u00e0-dire les auteurs, les institutions culturelles et les publics.[\/vc_column_text][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1485179306519{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_single_image image=”3637″ img_size=”full” onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/www.lcdpu.fr\/livre\/?GCOI=27000100677180&fa=description” css=”.vc_custom_1485179365035{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1485179243246{margin-top: 0px !important;border-top-width: 0px !important;padding-top: 0px !important;}”][vc_column][vc_column_text css=”.vc_custom_1485179346774{margin-top: 0px !important;border-top-width: 0px !important;padding-top: 0px !important;}”]Premi\u00e8re \u00e9dition –\u00a0Tome 35 – Presses universitaires de Nancy – Editions Universitaires de Lorraine – Livre broch\u00e9 – 236 pages. –\u00a0ISBN-10 2814302914 –\u00a0ISBN-13 9782814302914[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”3623″ img_size=”full”][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”3624″ img_size=”full”][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text]<\/p>\n

Centre Mondial de la Paix, des libert\u00e9s et des droits de l’Homme (55)<\/strong><\/a><\/span><\/h3>\n

Dear Sir\/Madam,<\/p>\n

The Association \u201c14-18 Meuse\u201d cordially invites you to Verdun\u2019s History Book Fair on the 12th and 13th of November 2016.<\/strong><\/p>\n

The Verdun History Book Fair<\/strong> will revisit books of 2016. Of the approximately sixty authors, including soldiers, will present their latest book on geopolitics, international relations, history and particularly the First World War. This year, in addition to having\u00a0children\u2019s literature, a big space will be dedicated to comics with cartoonists and scriptwriters from several publishing houses. Two second-hand book sellers will also be offering old books.<\/p>\n

The award \u201cWorlds in War, Worlds in Peace\u201d<\/strong>, created in 2005, will be given to the best book on \u201cwar and peace\u201d, published during the year. The award \u201cSergent Maginot\u201d created for the Centenary, will take precedence over the best book about war published during the year. These two awards will be decided by a judging panel presided by Mr Jean-Pierre Rioux, director of the History review \u201cVingti\u00e8me si\u00e8cle\u201d, Honorary General Inspector from the Ministry of Education. Verdun\u2019s History Book Fair is open from 10 a.m. to 12: 30 p.m. and from 2 p.m. to 6 p.m. with free admission.<\/strong>
\nVerdun\u2019s History Book Fair is organised by the Association \u201c14-18 Meuse<\/strong>\u201d at the World Centre for Peace in partnership with the \u201cCommercienne\u201d bookshop and was labelled by the First World War Centenary Mission.<\/p>\n

Please find the official programme by clicking the following link.<\/strong><\/a><\/p>\n

We would be more than happy to see you present at this event.
\nSincerely yours,[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”3599″ img_size=”full”][vc_single_image image=”3600″ img_size=”full”][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1475509676886{margin-bottom: 20px !important;}”][vc_column width=”4\/6″ css=”.vc_custom_1475509436955{padding-top: 10px !important;padding-right: 10px !important;padding-bottom: 10px !important;padding-left: 10px !important;background-color: #efefef !important;}”][vc_column_text]<\/p>\n

OBSESSION AND GHOSTS IN THE KOLTES THEARTRE AND THE CONTEMPORARY THEATRE<\/h3>\n
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November 3-5, 2016<\/strong><\/div>\n<\/div>\n<\/div>\n
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Colloquium<\/div>\n<\/div>\n<\/div>\n
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Organised by the CREM, Quai Est, Biennial Kolt\u00e8s<\/div>\n<\/div>\n
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Metz, \u00efle du Saulcy<\/strong><\/div>\n<\/div>\n<\/div>\n
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Description :<\/div>\n
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As a part of the Praxitexte team, one of the four teams of the CREM that regroups linguists and literary people, this colloquium is focused on Bernard-Marie Kolt\u00e8s and the contemporary theatre which is now a part of the new programme about unity (Narration of the society\/ Societies of narration). This is a continuity of the colloquiums initiated by CELTED and by the CREM that have been dedicated to the playwright Bernard-Marie Kolt\u00e8s of Metz, one of the most played French playwrights in the world. As a result of this, the plays by Kolt\u00e8s were edited under Andr\u00e9 Petitjean\u2019s direction such as: la question du lieu (2001), Textes et contextes (2011), Les registres d\u2019un style (2014) and Violences et d\u00e9sirs chez Kolt\u00e8s, and Dans le th\u00e9\u00e2tre contemporain under the direction of Raymond Michel and Andr\u00e9 Petitjean. The colloquium takes place as part of the Biennial Kolt\u00e8s organised by the Quai Est Association and is an opportunity for participants to attend many shows that are proposed.<\/p>\n

For more information about the colloquium, please visit their website<\/a>\u00a0and most importantly the\u00a0program<\/a>.<\/p>\n

For more information about the Biennial Kolt\u00e8s, please visit their website<\/a>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column][vc_column width=”2\/6″][vc_single_image image=”3281″ img_size=”full”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” parallax=”content-moving” parallax_image=”1619″][vc_column][vc_custom_heading text=”Journ\u00e9es d\u2019\u00e9tude internationales” font_container=”tag:h4|font_size:60px|text_align:center|color:%23ffffff” google_fonts=”font_family:Montserrat%3Aregular%2C700|font_style:700%20bold%20regular%3A700%3Anormal”][vc_custom_heading text=”La Lorraine des \u00e9crivains : cr\u00e9ation litt\u00e9raire et territoire” font_container=”tag:h4|font_size:36px|text_align:center|color:%23ffffff” google_fonts=”font_family:Montserrat%3Aregular%2C700|font_style:700%20bold%20regular%3A700%3Anormal”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1473853173498{background-position: 0 0 !important;background-repeat: no-repeat !important;}”][vc_column width=”2\/3″][vc_row_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1475077449219{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1517402631473{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n

December 1-2, 2016<\/h1>\n

Universit\u00e9 de Lorraine\u00a0\u00eele du Saulcy Metz,\u00a0 Salle Ferrari\u00a0(the Ferrari room)<\/h2>\n

Person in charge: Carole Bisenius-Penin<\/strong><\/p>\n

Under the impetus of cultural studies<\/strong>, the literary creation in relation to the city as well as writers that are full-fledged actors of the cultural system, form an interdisciplinary field for exploration.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1475077279376{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_single_image image=”1777″ img_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_column_text css=”.vc_custom_1517402699587{margin-top: -10px !important;border-top-width: -10px !important;padding-top: -10px !important;}”]Hence, over more than twenty years we have been seeing crossed critical approaches coming from varied disciplinary fields (geography, literature, sociology, museology, etc.) centred on the notion of space. For example, literary studies borrowed concepts from geography such as territory, landscape through literary representations of space and possible mediations between real and perceived constructed spaces, imagined by writers. In terms of a research field and creation founded by K. White, geo-poetry integrated a nomadic approach by favouring the journey through a writing done in space and based on the sensory relationship between places and the transgression of geographical and disciplinary borders. This space approach in literature is equally at the heart of the thoughts of Mr. Collot who identifies \u201cgeo-poetry\u201d as a science by studying \u201cthe relationship between space and forms and literary genres\u201d in expressing a \u201cpoetry\u201d (\u201ca study of literary forms that shape the image of places\u201d and a \u201cpoetry\u201d (\u201ca reflection on the links that unite literary creation with space\u201d). At the same time, B. Westphal created the concept of geocritics that aims at expressing literature around its relations with space by promoting \u201ca poetry in which the object would not be a study of the representations of space in literature but rather interactions between human spaces and literature\u201d. Based on these theoretical considerations, the question can then be asked: how are these interactions between spaces and contemporary literature accomplished within a specific territory?[\/vc_column_text][\/vc_column][vc_column width=”1\/3″ css=”.vc_custom_1473853327684{background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_single_image image=”1899″ img_size=”full”][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator style=”dotted” border_width=”4″][\/vc_column][\/vc_row][vc_row][vc_column][vc_row_inner css=”.vc_custom_1473782629293{padding-top: 10px !important;padding-right: 10px !important;padding-bottom: 10px !important;padding-left: 10px !important;background-color: #eaeaea !important;}”][vc_column_inner][vc_column_text]<\/p>\n

ARGUMENTS<\/h2>\n

\"logo-crem\"As part of the scientific programme, \u201cLa Lorraine des \u00e9crivains\u201d (CPER)<\/strong> will be organised by the CREM (Centre for research on mediations, Universit\u00e9 de Lorraine) in partnership with the centre for the Democratisation and cultural industries of the DRAC Alsace- Champagne-Ardenne- Lorraine and the Regional Centre for Books in Lorraine, the first international workshop days dedicated to the issue of literary creation and territory, December 1-2, 2016.<\/p>\n

This project fits directly with popular course choices in terms of the prioritised thematic research common to the Universit\u00e9 de Lorraine<\/strong>, notably in the 7th axis entitled \u201cHeritage, culture and identity\u201d<\/strong> on literature and collective imaginations, the study of interculturality: societal challenges and aesthetics, literary make-up of individual and national identities.<\/p>\n

The main objective of this programme is to set up a network of various regional operators and many literary activities on a specific territory in order\u00a0to ensure national and cross-border visibility of Lorraine on the question of the book, via the creation of a literary cartography of the territory of Lorraine, a cultural and tourist vocation on writing figures (F. Rabelais, J.B. Bossuet, E. du Ch\u00e2telet, P. Verlaine, B.M. Kolt\u00e8s, P. Claudel, V. Despentes, etc.) based on 3 poles: literary life, creation and heritage. The project is made up of two sections: a digital section with the creation of a website proposing a database, a literary panorama of Lorraine including a geolocation-based census (of authors, literary works, events) and an editorial section (literary guide, anthology\u2026). The digital section will not be limited to a presentation of literary extracts as that of the geoculture\u2019s website \u201cFrance as seen by writers\u201d, but will rather propose to the public mediation activities on writers and literature from the territory of Lorraine under multiple formats (database, interviews, surveys, scientific articles, etc.).<\/p>\n

Actually, if the basis is on a defined geographical scope, what are the possible mediations between literature and territory according to creators, as well as mediators (politicians in charge of culture, directors of cultural institutions, or creation support bodies) and cultural audiences? How can the creation and the literary heritage, through mediations, make it possible to rethink and revitalize the area? In short, can literature, in its various forms, through places, devices, actors, as well as its links with creativity, be beneficial for the growth and the image of Lorraine?<\/p>\n

THE EVENT SCHEDULE WILL THEREFORE BE ON THE CREATION\/TERRITORY RELATIONSHIP SEEN THROUGH 3 ANGLES OF REFLECTION:<\/h2>\n

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1) LORRAINE WRITERS: A MAPPING AND HISTORICAL APPROACH<\/h2>\n

Here, we will focus on the study of the writers that are within the defined territorial space in order to offer the general public a trans-historical view of Lorraine authors (from the 16th to the 21st century) and their works. The project involves all types of literary authors publishing for publishers who were born or lived in Lorraine (including authors for children, of comics, German-speaking Lorraine authors, etc.). All literary genres, for adults or for children, and literary movements should be represented. Literary journalists or political essayists are not included unless they have written a literary work. Authors who haven\u2019t been influenced somehow by their origin or their (sufficient) stay in Lorraine are excluded as well. Contributions will explore the creative universe of an author, his\/her links to places, the interaction between space and literature.[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_column_text]<\/p>\n

2) LITERARY CREATION AND TERRITORY<\/h2>\n

It should be noted that the concept of territory is particularly polysemous, vague and imprecise, and sometimes results in misunderstandings and\u00a0ambiguities. The word territory, as a synonym of place, also refers to all matters relating to space, that is to say a place with an owner and an individual or collective identity support stemming from the essential links between societies and spaces. In addition, the territory is an emotional and cultural investment that societies associate with their living space.
\nConsequently, the territory will discover itself, defend itself, invent and reinvent itself, in connection with identity from a creative and institutional point of view.
\nIndeed, from a literary point of view, geocriticism arises from this capacity to view connections between literature and human spaces from a dynamic and flexible perspective, by attempting to comprehend the interaction between real space and literary representations of space. In other words, the communication lines between the real and the fictional interacting with one another. According to B. Westphal, this is therefore a matter of \u201cdetermining the literary dimension of the places, and drawing up a fictional map of human spaces.\u201d What are the writing strategies that allow the author to inhabit the space? What are the interactions between real places and imaginary spaces? Then, from an institutional point of view, starting from the premise that the authors\u2019 interventions represent a new challenge in the public space in order to review the connections between book and territory, it will be relevant to study cultural policies that seek to understand the place of the writer in Lorraine, such as the author\u2019s residence or the \u201cAssociated Authors\u201d device. How do these tools seek to make the\u00a0work of creation visible as a literary process by allowing the audience to think of the work as the product of an artistic elaboration? What players of books in Lorraine are requested? What cultural goals are targeted?[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1517403009919{padding-top: 10px !important;padding-right: 10px !important;padding-bottom: 10px !important;padding-left: 10px !important;background-color: #f2f2f2 !important;}”]<\/p>\n

3) LITERARY HERITAGE<\/h2>\n

Social and cultural geography contributions that seek to comprehend connections between societies, cultures and spaces, just like Guy Di M\u00e9o\u2019s works, highlighted the development of heritage in the space between cultural heritage and territory: \u201cIf we want to conceive a significant geographical space for the individual and society (the true nature of territory), it is essential to give it a heritage significance.\u201d
\nThe review of the landscape aims to demonstrate that it is a cultural image, a grammar of the interpretation for the societies that practice it and is based on an anchoring in memory and identity. Therefore, the objective is to show how literary heritage, being an identification and appropriation space, proves to be a particularly interesting resource for Lorraine\u2019s territorial and cultural development. We can then use contributions to analyse different types of literary heritage elements of the Lorraine: literary walks, literary museums, and writers\u2019 houses.
\nThese first few days aim to fill a lack of study in SHS (Human and Social Sciences: literature, geography, history, information and communication sciences, etc.) about authors, literary creation, the author\u2019s residence, and heritage, which are related to the issue of territorial and tourist attractiveness.[\/vc_column_text][vc_column_text]<\/p>\n

<\/h2>\n

TERMS:<\/b><\/h2>\n

THE STUDY DAYS WILL TAKE PLACE ON THE 1st & 2nd OF DECEMBER 2016 AT THE UNIVERSIT\u00c9 DE LORRAINE (METZ)<\/h3>\n

Please, send us your communication proposals, maximum one page, in a Word or PDF file (indicating your subject, the main questions considered and the sources used), as well as a short biographical and bibliographical note (profession, research field, institution, publications) to the following e-mail address:<\/p>\n

carole.bisenius-penin@univ-lorraine.fr<\/p>\n

Deadline for the communication proposals: by the 15th of September 2016<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” parallax=”content-moving” parallax_image=”2223″ css=”.vc_custom_1475258014546{margin-top: 20px !important;padding-top: 200px !important;padding-bottom: 200px !important;}”][vc_column][vc_icon type=”openiconic” icon_openiconic=”vc-oi vc-oi-quote-right” color=”white” align=”center”][vc_custom_heading text=”Actualit\u00e9s” font_container=”tag:h2|font_size:64|text_align:center|color:%23ffffff” google_fonts=”font_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:300%20light%20regular%3A300%3Anormal”][vc_icon type=”openiconic” icon_openiconic=”vc-oi vc-oi-quote-right” color=”white” align=”center”][\/vc_column][\/vc_row]<\/p>","protected":false},"excerpt":{"rendered":"

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Lire la suite<\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4677","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/lalorrainedesecrivains.univ-lorraine.fr\/en\/wp-json\/wp\/v2\/pages\/4677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/lalorrainedesecrivains.univ-lorraine.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/lalorrainedesecrivains.univ-lorraine.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/lalorrainedesecrivains.univ-lorraine.fr\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/lalorrainedesecrivains.univ-lorraine.fr\/en\/wp-json\/wp\/v2\/comments?post=4677"}],"version-history":[{"count":4,"href":"http:\/\/lalorrainedesecrivains.univ-lorraine.fr\/en\/wp-json\/wp\/v2\/pages\/4677\/revisions"}],"predecessor-version":[{"id":4682,"href":"http:\/\/lalorrainedesecrivains.univ-lorraine.fr\/en\/wp-json\/wp\/v2\/pages\/4677\/revisions\/4682"}],"wp:attachment":[{"href":"http:\/\/lalorrainedesecrivains.univ-lorraine.fr\/en\/wp-json\/wp\/v2\/media?parent=4677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}